It's interesting that Harry Carey was in the first version of this film made in 1916 and now his son takes on the role as the injured "kid" alongside John Wayne's "Robert" and Pedro Armendàriz as "Pedro". These three are outlaws whose one last hit goes a bit awry. Now with the shrewd sheriff "Buck" (Ward Bond) in hot pursuit, they must try to outwit their pursuers before they run out of water. They do manage to steal a bit of a march and make it to a well, but the only water they discover is coming from the eyes of a heavily pregnant woman (Mildred Natwick) who promptly delivers them a godson. Still no better off, and with an added mouth to satiate, the three must now continue to evade capture and struggle on through the desert. It takes quite a while to get going, this, but once we have the established character dynamic then the story is actually quite a poignant story of loyalty and determination, decency and teamwork. Tragedy strikes on more then one occasion and yes, of course, it's very rarely a real baby being bounced around the terrain, but somehow the actors, Armendáriz in particular, manage to illicit quite a fair degree of sympathy as they trek through the dry and hostile wilderness. The last ten minutes didn't quite work for me, but then I don't suppose John Ford could actually have... The photography is grand and grim - that these men could survive the perils of the landscape at all is a feat all too well illustrated by the bleakness of their surroundings and there is an overall spirit of redemption at the conclusion that does raise a smile. Certainly one of the Duke's more considered efforts and well worth a watch.

Sweet Country

2018

Mister Roberts

1955